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cover of OUR JAMES 2
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The project is called "Our James" and is inspired by James Bond. It focuses on a professional thief who steals artifacts from private collections and museums. The main character is a British government spy who is hired to protect these artifacts. The project also includes various characters like the art dealer and the boss German. The goal is to create a James Bond-like character without copying Indiana Jones. The characters are crucial in forming the foundation of the movie, and a scriptwriter will develop the storyline and plot. So the project, our project, would officially be called Our James, Our James, which means our version of a James Bond kind of thing, since as I described, it cannot be Indiana Jones. It would be too obvious. So it's kind of more of a James Bond type of thing, but describing what it is, is like I said, most of these artifacts are in private hands in some cases. In museums. So it would be more of a thing like a, what do they call that, thief, someone who professionally steals things. Okay, kind of like a mafia or underground type of, you know, gangster type of stuff. But a professional, so we could study movies and watch movies. There's some movies like that, like the Thomas Crown Affair maybe, something like that, I don't know, I haven't seen it. So watch movies and study movies, which has to do with professional stealing. Stealing things from arts, right, art, art collection, art of Da Vinci painting is worth I don't know, ten million dollars, right, so stealing that, you know, actually somehow breaking into the security system. They have that in Mission Impossible, had that, where they're breaking into the things, get all this like wires and shit, right, it's trying to get in there and trigger something or trying to steal something, right. So that's what the foundation of the movie would be, that some artifacts are in private hands, private collections, right, and some are in museums and stuff like that. So I now also see, I'm seeing some kind of big fat guy, an obese guy, who's the art dealer, makes sense, right, kind of a little like that Sala guy from Sala, from Indiana Jones, maybe kind of like the guy from the company business, who they run into the guy, they go to his house, the company business guy. Faisal, Faisal, says, we cannot sell anything these days, you got to help me. I know what we're going to do, we're going to sell exocet missiles to Angola, and then launder the money through Croatia, and we can do it, he says, oh my god, who are you kidding, nobody needs this stuff these days, nobody is, none of these are, they're stone broke. So a guy like that, a character like that, would be actually kind of the central, one of the central characters in the movie, or one of the characters. Just like Indiana Jones, we got many characters, we got this guy, his name is Belok, and then he says, Sala says, oh, Belosh, Belosha, his name is Belok in English. It's that French guy, that's Belok, and he's working with the Germans, and we got one of the main Germans, boss German, Dietrich, Dietrich, the boss German, Dietrich, and we got Indiana Jones, of course, we got his girlfriend, Marion, the evil German, Nazi, who's got a face like a pig, I will now show you what I will do, the American, that guy. So there's many characters, and what we see usually is the different ideas or different concepts, like the good guy, the hero, you know, he's split off into one character, that's Indiana Jones. The bad guy, or the guy who sells out to the Germans, that's Belok, he sold out to the Germans, he's working for them, and at the end of the movie, when they open the Ark, the power of God, or whatever lightning comes out of the Ark, and kills him too, because he was working for the bad guys, for his own money and power to open the Ark for the power, or whatever power it has, so he died in that ending scene. So, in our project, like I said, it's based upon James Bond. This is the kind of foundation of the character, to create kind of a James Bond type character. So maybe his job could be, because we have to write the script, it has to have a, first of all, you come up with the idea, like we're describing the idea now, and then some script writer puts the actual script, the actual lines, and stuff like that together, and then you have to read these lines off, and actually do the performance. So, I see him as a British government, or a government spy, official guy, who is hired to protect these artifacts, so they do not get stolen. Makes sense, because James Bond is actually working for the British government. He has a license to kill, he's 007, correct? So, he's actually working for the British government, he's got all the special stuff, a cute branch, and there's the guy right there, he's got the equipment for him. 007, don't touch that. Now, this is our new model. Pay attention. This is our new model. Let's see, beverage cup holders, ejection seat over here, don't touch this. This is the trunk opening like this. Smoke through here, and it's like, wow. So, it's got him a special vehicle and everything. So, the government. So, I say that, probably, we create the character, which is a James Bond type character, not Indiana Jones. Because you'll immediately, if you do this thing with the cowboy hat, and actually running on the horse, you'll immediately be like, dude, here's a cheap copy of Indiana Jones. And then have him acting. So, that's a very amateur, a mistake amateur filmmakers would make. Literally copying another character. From a movie. So, we don't want to make that mistake, obviously. It's an amateurish mistake. So, we create a character that's kind of based on James Bond. Okay, so there's been many, many, many James Bonds. And, in fact, we can look at these different James Bonds, like Pierce Brosnan, and find a guy that looks kind of like him. Like, I like this guy. This guy, he's fucking badass. Look at this Pierce Brosnan. A guy that kind of looks like Pierce Brosnan. He's got the face. He's skinny. He's athletic. He's got this British accent. He's like, this is badass. I mean, this guy is fucking badass. I can watch this guy all day long. Look at this. I'm entering the building. All this cool stuff. So, that's that guy. And this guy will be working for the government in preservation of these art pieces and historical relics. See what I'm saying? So, he's kind of the guy that falls. So, now we need a bad guy. Someone who is another amazing character. Maybe like Jason Statham or something like that. A cool guy. And this guy is doing it for money. And he's a professional art dealer. He probably has other skills, too. Like a professional hitman. Like he can fucking shoot people. And stuff like that. And he maybe works with the... So, this is just kind of the concept. Or the basic concept to get the big picture down. And then you have a script writer. You know, write a treatment. It's like a whatever. Write it down. And write it all in writing. And you have to come up with some kind of plot or story line. Like, this happens first. Then that happens. Then this is happening here. They chase. Then this happens. And then this is the situation. And see? And they bring the... See the whole... That. But this is part of the whole backstory of creating it. It's the characters. Because in Indiana Jones, the characters make the movie. Really? You got Indiana. I mean, um... Indiana Jones. You got his girlfriend. You got that solid guy who we like. We like everybody in the movie. We got the bad guy. This. The bad guy. We got all these characters. So, creating the characters is very important. And forms the kind of tree or foundation of the whole movie. And then other characters will split off. And they'll come and go and do little things. Incidental things. Details. See? Details.

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