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cover of inde genre music project
inde genre music project

inde genre music project

JUDE ROWLAND

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Hello guys and welcome back to Roland Radio. In today's session we'll be listening to four songs from the genre Alternative Indie between the years 1990 and 2010. The Alternative Indie music genre is a broad category that composes a wide range of styles and sounds. Within the Alternative Indie genre you can find sub-genres such as Indie Rock is categorised by its DIY ethos. Indie Rock often features guitar-drum melodies, introspective lyrics and rejection of mainstream trends. Indie Pop, known for its catchy melodies, bright productions and assessive songwriting, Indie Rock combines elements of pop music with indie sensibilities. Alternative Rock merges in the years 1980s and 1990s as a counter-culture response to mainstream rock music. It composes a diverse range of sounds from grunge and post-punk to shoegazes and garage rock. Dream Pop is categorised by its astrospheric soundscapes, ethereal vocals and dreamy melodies that often incorporate elements of shoegaze, ambient and psychotic music. Folk Rock combines traditional folk music with elements of rock and roll, resulting in a sound that is both roosty and contemporary. The term Alternative Music emerges in the late 1970s and early 1980s to describe music between the mainstreams. It comes about because musicians wanted more creative freedom outside of big record labels. Alternative Music includes many styles like Punk Rock, Indie Rock and others. Bands like Orym and The Smith helped popularise Alternative Music. Since then, it has kept evolving and becoming more diverse. So while Alternative Music becomes a big deal in the late 20th century, it started early and kept changing over time. The four songs that we will be listening to today are Beautiful Day by U2, Work Song by Hozier, Losing My Religion by Orym and You Somebody by Kings and Leon. Beautiful Day by U2 You know that I could use somebody Someone like you and all you know and how you feel Countless others undercover on the street You know that I could use somebody You know that I could use somebody Someone like you Someone like you Someone like you Someone like you Someone like you Someone like you Someone like you Someone like you Someone like you Someone like you Someone like you Someone like you Someone like you Someone like you The song You Somebody has five main instruments. The electric guitar, the bass guitar, the drums, the vocals and the backing vocals. The electric guitar plays a prominent role with both rhythms and lead part. The riff helps drive the melody. The bass guitar provides a steady foundation for the song, complementing the rhythm section and adding depth to the song. The drums maintain a constant and driving beat throughout the song, contributing to its agnetic feel. The vocals are a key element of the song, with a motive and powerful delivery that adds to the song's intensity. The backing vocals enrich the chorus and provide additional layers to the vocal arrangements. The core instruments are arranged to build momentum throughout the song, creating a very powerful song. For the structure, the intro starts with the iconic electric guitar riff setting the tone and mood for the song. The first verse introduces the main vocal melody, with the vocals to the guitar and the steady drum beats. The pre-chorus provides a build-up to the chorus with an increase in intensity and a slight shift in melody, creating anticipation. The chorus is the most powerful and memorable part of the song, with a fuller sound for all instruments and more intense vocal delivery. The lyrics emphasise the song's main theme and are more agnetic. The second verse mirrors the first in structure, but may have variations in instruments or vocal delivery to keep it interesting. The pre-chorus repeats, maintaining the build-up towards the chorus. The chorus repeats the powerful and emotive elements of the first, reinforcing the song's main hook. The bridge section provides a contrast to the verse and chorus, often with a change in dynamics and melody. This part adds variety and maintains listeners' interest. The final chorus is usually the climax of the song, with the highest level of intensity, emotion and delivery. All instruments and vocals are at their peak. The song concludes with an outro that typically maintains the intensity of the final chorus before greatly fading out, ending on different notes. The structure helps to create a dynamic and engaging song, with each section building up the previous one to deliver a satisfying emotion. The repetition of key elements, like the chorus, ensures the song's main theme are memorable and help impact the song. The song's main theme is the song's main theme. The song's main theme is the song's main theme. The song's main theme is the song's main theme. The song's main theme is the song's main theme. The song's main theme is the song's main theme. The song's main theme is the song's main theme. The song's main theme is the song's main theme. The song's main theme is the song's main theme. The song's main theme is the song's main theme. The song's main theme is the song's main theme. The song's main theme is the song's main theme. The song's main theme is the song's main theme. The song's main theme is the song's main theme. The song's main theme is the song's main theme. The song's main theme is the song's main theme. The song's main theme is the song's main theme. The song's main theme is the song's main theme. The song's main theme is the song's main theme. The song's main theme is the song's main theme. The song's main theme is the song's main theme. Consider this. Consider this. Shoes of the century. Consider this. The slip that brought me to my knees. Failed. What if all these fantasies come waiting around? Now I've said too much. I thought that I heard you laughing. I thought that I heard you scream. I think I thought I saw you try. That was just a dream. That was just a dream. That's me in the corner. That's me in the spotlight. Losing my religion. Trying to keep up with you. And I don't know if I can do it. Now I've said too much. I haven't said enough. I thought that I heard you laughing. I thought that I heard you scream. I think I thought I saw you try. That was just a dream. Try, cry, fly, try. That was just a dream. Just a dream. Just a dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream. Dream.

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