Morgan bonus 8 circus

Click. Oh. We always record the most random shit in like the first 30 seconds of recording every time. I try to save what I can that I think is like interesting or funny. I'm not like recording the episode yet. Jack. Go away. Jack, who is that? Oh boy. It's walking time. Oh my goodness. Jack just, or Kyle just walks in like a banana. And he's just like. Like okay. But yeah, I try to save what I can that I think is funny in our bloopers reel. I think I have almost 20 minutes of, I would have to edit it to be like closer together. So it's probably not 20 minutes, but probably like 10 to 15 minutes of bloopers so far. Stop. Stop. We do. All right. Let me know. We're going to do like the back and forth again. So do you want to start off? Okay. Illiquid history. Bonus episode. Bonus, bonus, bonus. It's a bonus episode. I barely have a brain left. So this will probably be an interesting episode. No, I did the tequila. Oh, man. It sounds like a really hard lesson was learned that evening. Good for you. Good for you. I'm proud of you. Yeah, that sounds like a bad idea at any age. I've never had anything good happen on a night where I drank straight tequila or shots of tequila. Like, even if I'm not in control of what happens, it's just good things don't happen. The gallon of tequila that you drank. Yeah. Yeah, I was about to say, you're in a bathroom. That's funny. Yes. Yes. There's been a lot of, Emily has unveiled a lot of stuff about herself on these bonus episodes. It is all out there. All right. Yeah. You clown. Just clowning. Yeah. So this funny story, Emily texted me, like, last week, and she's like, what are we doing for a bonus episode? And I was like, uh, this is April's, April's first April Fool's Clowns Circus. That was how that train of thought went. Well, thank you. I panicked when you were like, what are we doing for a bonus? I was like, I don't know. I'm out of ideas. Oh, so this is April 5th today. Okay. Happy belated April Fool's. Yeah. Mm. Ah. So y'all are in for a really big one come April Fool's Day. Oh, his little face. He'd be like, I've been practicing for the ultimate prank. That's funny. Yeah. Let's jump on into the story. So I'm going to be covering just kind of the overall history of the circus, and Emily is going to jump in with some fun facts about the elements of the circus. The elephants of the circus. Yeah. So early history. I, if y'all know me, you'll know I love etymology, or where words come from. Etymology of circus comes from the Latin circus, which means circle. It means ring or circular line. And this word originated from Rome. The original circuses were basically a giant track built in ancient Rome. They were used for chariot races. Those were the OG circuses. And in 1791, it eventually evolved to mean like show our modern understanding of circus. Now it kind of more means like a group of traveling performers. So it has evolved over time. The Roman circus is based on the Greek Hippodrome, or basically a giant structure made for seating thousands for chariot races. It was U-shaped. In addition to chariot races, they also hosted like wrestling, gladiatorial fights. The circus was originally as part of the Ludi. I assume it's pronounced Ludi or Ludi. I'll say Ludi, it sounds better. L-U-D-I, or a religious holiday or festival in ancient Rome. The Romans loved public entertainment. And each successive Roman emperor tried to outdo his predecessors, upping the ante and the number of days of Ludi. So in 100 BC, there were 49 Ludi days. By the 2nd century, there were 135 Ludi days. And by the 4th century, there were 176 Ludi days. So it's like half the year is just like these public celebrations and entertainment days. Yeah. And it wasn't just the circus. There are also like theater plays and then amphitheaters, which hosted more of the gladiator fights. The chariot racing was the most popular, as I'm sure you can imagine. We love races. We've talked about NASCAR. That's basically really fast. Yeah. Yeah. Racing. Yeah. And then a few thousand years later, they're like, let's do this for fun. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. It was the first and largest stadium in the Old Kingdom in Rome. And I have a picture of it here in the notes for you, Emily. It's kind of this first brown picture. Yeah. That's fine. So I don't know if this is like, I doubt this is what it looks like today. I figure this is probably an artist's rendition. But this big, long U-shaped structure is the circus. And most circuses had some kind of divider in the middle of the track to make it so you had to go around. It would probably be horrifying as well, because I know the chariot races were not like, they were like NASCAR on crack. It's very cool. It's really, really cool. Next. After that, there's the circus Flaminius. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. 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Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. I don't get into it, yeah, at the end. I don't talk about animal welfare specifically, just more of like how the modern circus kind of started dwindling away. Okay. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Okay. Nice. Good for her. Good for her. Good for her. Yes. Okay. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Neat. That's some top-tier de-escalation tactics. I'm sure stressful for the jester. But if it prevents two countries from going to war, then yeah. Well, then they weren't a good enough jester, I guess. Really? Oh, my God. This doesn't sound like real life. It sounds made up. Yeah, I'm sure. They're pissing off the enemy. Yeah. I'm sure it did happen because truth is stranger than fiction. But it does not sound real. No, I know. I'm trying to remember. Krusty the clown. Do it the way you will. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Yep. Okay. Okay. Wow. Effective. Yeah. They're still jugglers. Okay. Badass. Okay. Okay. Okay. Okay. Yeah. Okay. Okay. Ooh. Okay. Okay. Gay stuff. Okay. Okay. Okay. Oh, my God. Okay. Okay. Okay. Okay. Wow. So there is a, I don't know if you go into it, but there is a phenomenon. Let me Google it really quick. It's called like the No, that's not what I was looking for. Okay. I'm so sorry. I just like paused this entire thing because I wanted to talk about this cool effect that happens, like that probably makes it possible for the fire breathing to happen. Let me find it. It's always just like, it's just like how to It's like sunburn and treating burns. And I'm like, there's an effect, like the Lederhoff effect or something. I don't remember if that's what it's called. Anyway, nevermind. Just continue. Like I didn't say anything. I'm sorry. I thought I was going to find something interesting. And I can't, I don't even know how to Google for it. Okay. Well, those are some great facts about different kinds of circus acts. Thanks, Emily. I sounded very sarcastic when I said that. And I did not mean it to sound as sarcastic as I did. I'm very tired. I apologize for that. It's not. Anyway, so kind of taking it back to Astley and the Royal Amphitheater. In 1824, a man named Andrew Ducrot took over management for the Royal Amphitheater. He was another circus performer. He was, according to the Victoria and Albert Museum, quote, father of British circus equestrianism. So he was also very good with horseback tricks. He came from a circus family. Apparently his dad, both of his parents were circus performers. I think his mom was a trapeze artist and his dad was a strong man. His dad could hold like a table full of children with his teeth. Like, it was crazy. He was also a really good actor. And the tricks and stunts that he would perform on horseback also came, they were like full-on like theater performances with drama and scenery and costume changes, all done on horseback, like super intense. When he was 19, he joined Astley's Circus with his flying wardrobe act. Quote, and this is from the V&A Museum again, quote, in which he would speed around the ring on horseback dressed as a drunkard in rags. After many false falls and the removal of several waistcoats, he would reveal himself as a star writer of the show. And that's still an act that's performed today to like introduce clowns and stuff. Important events were also acted out at Astley's, including dramatizations of the Battles of Waterloo and Alma, as well as the Crimean War. So it was like TV before TV. And then I have a poster from one of these like performances at Astley's Royal Amphitheater for the Battle of Alma. And, I mean, it's legit. Like there's like muskets and a bunch of people and horses and all within like this circus building. The circus officially came to the U.S. in 1793 by John Bill Ricketts, who you've mentioned. He opened a circus two years prior in Edinburgh before he moved to the U.S. and actually George Washington was one of his guests when he came to the U.S. Ricketts' circus traveled from Charleston, South Carolina, to Quebec, Canada over seven years. But in the meantime, he was establishing permanent circuses along the eastern United States up towards Canada. And a lot burned down. Unfortunately, in 1799, one of his permanent circuses, the Pantheon, burned to the ground and he was left destitute after that. And then eventually, I didn't write this down in my notes, but eventually, it's not funny, he was sailing back to England and then the ship sank. And him and all the money he had earned back were lost forever. Really sad, really sad ending to Mr. Ricketts. I know. And Ricketts' rival, Philip Lailson, established the circus in Mexico in 1802. So it's starting to spread, like mostly Europe and the Americas, but it will eventually start becoming worldwide. So now we're kind of moving into the Victorian era of the circus. Joshua Purdy Brown is, and I've seen multiple different people being credited with a tent, I just included two. Joshua Purdy Brown is credited as being the first circus entrepreneur to utilize a tent for the circus instead of building a permanent structure in 1825. But I've also seen other people are credited with the circus tent as well. Around the same time and in the same area, a farmer named Hachalia Bailey, Hachala Bailey, bought an African elephant and started touring with it across the country, later acquiring other exotic animals to show off. And this is kind of what you were talking about earlier, about 10 years later, American circuses became known as traveling menageries with exotic animals and other shows. And the distinction with American circuses is that they were run by businessmen. Whereas like British and European circuses were more family owned. In the 1850s, the circus was all over the UK and some were even present in like actual theaters and not just like circus buildings, but actual theaters. Starting in the late 1700s, circuses started traveling around more often and utilizing rails to get them from place to place more quickly. By the late 1800s, circuses were huge in Europe and America. Starting in 1853, an Italian circus owner named Giuseppe Chiarini started touring the globe with his circus. So he went to Havana, South America, Japan, Mexico, Chile, Argentina, China, Brazil, Australia, New Zealand, Tasmania, Singapore, Java, Siam and India. Like he went everywhere in not a very long time. I think it was less than a decade. He went to all these different countries and continents. Yeah. Introducing the European idea of the circus to all these different places. And then they started kind of developing their own circuses within their own kind of cultures. I didn't find a whole lot of information about other circuses though is mostly focused on like European and American circuses. Then we have a man named Richard Sands. He was an acrobat, a circus owner and equestrian and a ceiling walker. He had an air walking act where he used suction cups to walk on ceilings. He unfortunately died in 1861 after falling off a building in Massachusetts performing the stunt. Like the plaster broke off. Very unfortunate. He was also one that was credited with the big top tent style of circus tents. Again, I'm not sure like every single website I went on, someone else was credited with the tent. Yeah. Right. And like you were mentioning earlier, horses were huge in circuses with some human performers, but by the mid 1800s, acrobats like really took over the performances within circuses. Yeah, I agree. Like they were already doing a lot of tricks on horseback and it was probably a little bit easier to start doing just human only stunts versus having to train a horse to handle being within a circus and that environment and also tolerating tricks on horseback and then feeding the horse, you know. Yeah. So there's a bunch of different companies and circus families and groups. I'm only going to talk about a couple because there's so many. Like I was just scrolling through page after page after page at different circuses and I was like, I'll go with some of the more popular ones. So first one is Barnum and Bailey's. I think everyone's heard of Barnum and Bailey. So it started with P.T. Barnum. He actually paired up with a man named William Coop and in 1871 started the P.T. Barnum's Museum, Menagerie and Circus, which featured a variety of unique animals and humans in 1871. And this is also where we start seeing like the side shows, the human, I hate to say freak shows, but that's kind of what they were. Yeah. Yeah. Emily will talk more about that, but there's just a lot of exploitation of people that looked different. But Barnum and Coop also revolutionized rail transport and the circus tent. They added up to seven rings and increased the length of the circus tent because they were like, well, you need to make it bigger, but you can't make it taller. So they made it longer. And then they're like, well, people won't be able to see if it's too long because then they added more circus rings. And they're like, well, we can make it even bigger and added more circus rings. So it was just enormous. In 1881, Barnum paired with a man named James Bailey and they formed the famous company, Barnum and Bailey's. A decade later, after Barnum died, Bailey went on with their greatest show on earth. What was the title of their show? And he toured Europe, shocking Europeans with the American spectacle circus between 1897 and 1902. It was definitely a different way of doing things. And I think I maybe mentioned it a little bit later. I do. I'll talk about it later. It was just something like a difference between clowns in the US and Europe. But it's later on. We also have the Ringling brothers while Bailey was off in Europe, the Ringling brothers capitalized on his absence and made their show extremely famous and popular in the United States. It dominated like the, the source I was reading said Bailey came back and he was like, Hey, you took my market. There were five brothers in the Ringling brothers company, Al, Otto, Alf, T, Charles, and John. When Bailey died in 1906, the Ringling brothers acquired Barnum and Bailey circus and combined the two. And in 1919, they came out with the official title Ringling brothers and Barnum and Bailey combined shows. Nope. It's Ringling brothers. And I wonder if they were because Barnum and Bailey was like the circus before the Ringling brothers stepped in. So I wonder if they were trying to capitalize on both, both names, both fan bases. So they're like, we have the Ringling brothers and Barnum and Bailey all in one show. Come on down. That's what I was thinking. I don't know if I'm wrong. That's what I was thinking. I don't know for sure if that's what happened or not. Then we also have George Sanger. He was the most successful circus owner in the 1800s, started at 15 by selling candy, which I think that's a pretty, pretty big glow up, right? By his thirties, his circus was known nationwide in England. And he started using wild animals such as lions in his performances. And he actually bought Astley's amphitheater in 1871. Yeah. Oh yeah. Okay. Yeah. By bending their bodies in weird, unnatural ways. Like I can't, I can't watch contortionists. Yeah. Mm hmm. I mean, if you think of all the ones, especially like, I remember when there were some magicians that were really popular when we were kids and they would like be underwater and there'd be handcuffed and it's like, Oh, the suspense, they could drown. Uh, what are they, what's going to happen? And they never drowned. They always got out of the handcuffs or the box or whatever. Give me just a second. Sorry. Okay. Kyle just started cheering and whooping downstairs and sorry, go ahead. Okay. Okay. Mm hmm. Was this like a legit cannon that they retrofitted or did they make it all from scratch? Okay. Okay. Okay. Oh God. Yeah. Okay. Well, there you go. Okay. Okay. Yeah. The spectacle is upping and upping and upping. Mm hmm. Yes. Okay. Okay. Yeah. Maybe. Yeah. Cause the circus didn't come in the U S to like the late 17, early 1800s. So it may have just been like its own. Yeah. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. 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