A simple work in which the first four bars of the motif are written in aeolian mode, and then the motif is composed to cycle through twelve aeolian modes by hopping the cycle of perfect 4th interval, diminished 2nd interval, and perfect 4th interval again. At the ending, I gave a variation by using double stop with tension notes in the high position of the first violin, but it did not deviate from the overall motif and the piece was kept concise and consistent.