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In the audio titled "Newcombe's Piano Recital 3 from November 23, 2017", we are greeted with the atmospheric sound of a piano recital that is held in Nova Scotia. The piano, a beautiful antique, creaks with age and history. As the performance commences, the field-recorded audio captures the essence of the recital venue, adding an additional layer of texture to the listening experience. The pianist's foot can be heard pressing the pedal, creating a rhythmic pattern that underscores the performance. The piano, slightly de-tuned, produces a unique atonal harmony that fills the room. This atonal quality of the music creates an aural ambience, straying from the traditional tones often associated with piano recitals. Throughout the performance, the listener is aware of a consistent noise in the background. This noise isn't intrusive, instead, it enhances the raw, unedited quality of the field-recording. It feels as though we are
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In the audio titled "Newcombe's Piano Recital 3 from November 23, 2017", we are greeted with the atmospheric sound of a piano recital that is held in Nova Scotia. The piano, a beautiful antique, creaks with age and history. As the performance commences, the field-recorded audio captures the essence of the recital venue, adding an additional layer of texture to the listening experience. The pianist's foot can be heard pressing the pedal, creating a rhythmic pattern that underscores the performance. The piano, slightly de-tuned, produces a unique atonal harmony that fills the room. This atonal quality of the music creates an aural ambience, straying from the traditional tones often associated with piano recitals. Throughout the performance, the listener is aware of a consistent noise in the background. This noise isn't intrusive, instead, it enhances the raw, unedited quality of the field-recording. It feels as though we are
