Murals Muralism and Architecture: Art Fusion at Mexico’s University City

The University City in Mexico is a UNESCO World Heritage Site that combines muralism and architecture to reflect Mexican identity. The project aimed to create a new visual language after the revolution, using murals to tell stories of national pride and struggles. The campus is built on volcanic rock and blends modern architecture with traditional Mexican elements. The Central Library features a massive mural made of colored stones, depicting different aspects of Mexican history and culture. The Rectoria Tower is adorned with murals by David Alfaro Siqueiros, showcasing dynamism and drama. These artistic landmarks contribute to the unique identity of the University City. Welcome to our deep dive into Mexico's university city. You shared an excerpt from Docomo Journal 422 Eno, elcruz.pdf, which focuses on this amazing UNESCO World Heritage Site. It is amazing. We're going to unpack the fusion of muralism and architecture found there, what the murals mean, how they connect to the buildings, and what it all says about Mexican identity. This is a lot. I think 7 million square meters, 150 plus architects and engineers, 10,000 workers. It's huge. It's colossal. What's fascinating is that this project wasn't just about creating buildings. It was about crafting a national identity. I see. Post-revolution, Mexico was yearning for a new visual language, something that resonated with its people and championed social reform. That's where these enormous murals come in, right? Exactly. They're turning public spaces into canvases, telling stories of national pride and struggles. It's almost like the buildings themselves are speaking. University City became the ultimate expression of this ambition, this fusion of art and architecture on a grand scale. It is. Paint me a picture. Where exactly is University City situated? How does its location play into all of this? It's built on a volcanic rock bed called the Pedregal de San Angel on the outskirts of Mexico City. It's divided right through the middle by Insurgents Avenue, one of the city's most important avenues. Like a main thoroughfare. Imagine this, a sprawling campus rising from this rugged volcanic landscape, almost like a phoenix from the ashes. That's quite a visual. It is. How did the architects and designers approach this unique landscape? Did they try to blend in or stand out? They did both, actually. Interesting. The campus design is this fascinating blend of modern architecture and traditional Mexican elements. Oh, okay. You see it in the open spaces, the plazas. Right. The enormous staircases that seem to echo ancient Mesoamerican pyramids. I see. It's a dialogue between past and present, seamlessly woven together. And it wasn't just about looks, was it? No. I'm guessing functionality played a role, too. Absolutely. Okay. There's pedestrian circulation. Right. Encouraging exploration and a sense of community. There's even a peripheral ring road inspired by Herman Harry's system for traffic flow. Interesting. But beyond the practicalities, the architects wanted to move beyond the purely functional approach of the international style. They wanted to infuse the campus with a uniquely Mexican spirit. And murals played a key role in that. Okay. Let's dive into some of these murals. Okay. First up, the Central Library. Right. I understand it's adorned with a massive mural by Juan O'Gorman. Yeah. Titled, Historic Representation of Culture. Huge. What's the story behind this one? It's a colossal piece, covering nearly 4,000 square meters of the library's tower. Wow. 4,000 square meters. And here's where it gets interesting. It's not paint on a wall. Okay. O'Gorman used naturally colored stones. Huh. Set into precast concrete slabs to create this intricate mosaic. Stones. Yeah. Wow. That must have been an incredible undertaking. Oh, it was. Was there any specific reason for using this technique? Definitely. Okay. O'Gorman was meticulous in his selection of stones. Right. Choosing them not only for their color. Yeah. But also for their durability against the elements. Mm-hmm. He sourced these stones from various regions of Mexico. Okay. Almost like he was weaving the country's diverse landscape into the mural itself. Hmm. It speaks to the permanency intended for this artwork. Great. A lasting inscription on the face of the library. Wow. So, each facade of the library tells a different part of the story, right? I believe so. Yeah. What did he choose to depict? Yeah. What's on each facade? The north facade is all about the history of the library. The history of the library. The history of the library. The history of the library. The history of the library. The history of the library. The history of the library. The history of the library. The history of the library. The history of the library. The history of the library. Okay. You've got indigenous motifs. Cascadal polka. Quetzalcoatl. Even scenes from the founding myth of Tenochtitlan. Really? It's a visual celebration of the country's roots. So, looking at this facade would be like taking a crash course in ancient Mexican mythology. In a way, yes. Wow. And then, the south facade is all about the history of the library. The history of the library. The history of the library. The history of the library. The history of the library. The history of the library. The history of the library. The history of the library. The history of the library. The history of the library. The history of the library. The history of the library. The history of the library. The history of the library. Okay. Showcasing figures like Ptolemy and Copernicus with their models of the universe. Interesting. It's a nod to the exchange of knowledge and ideas that have shaped Mexican culture throughout history. It sounds like O'Gorman was trying to show the evolution of thought. Yes. And how different cultures have contributed to Mexico's intellectual landscape. Precisely. And how different cultures have contributed to Mexico's intellectual landscape. And how different cultures have contributed to Mexico's intellectual landscape. And how different cultures have contributed to Mexico's intellectual landscape. And how different cultures have contributed to Mexico's intellectual landscape. And how different cultures have contributed to Mexico's intellectual landscape. And how different cultures have contributed to Mexico's intellectual landscape. And how different cultures have contributed to Mexico's intellectual landscape. And how different cultures have contributed to Mexico's intellectual landscape. And how different cultures have contributed to Mexico's intellectual landscape. That's fascinating. It is. So what about the East and West facades? Yeah. Do they bring us closer to modern times? You guessed it. Okay. They depict scenes from the Mexican Revolution. Wow. Images of the University of Mexico. Images of the University of Mexico. Images of the University of Mexico. Images of the University of Mexico. Images of the University of Mexico. Images of the University of Mexico. Images of the University of Mexico. Images of the University of Mexico. Images of the University of Mexico. Images of the University of Mexico. Images of the University of Mexico. Images of the University of Mexico. Images of the University of Mexico. Images of the University of Mexico. Images of the University of Mexico. You guessed it. Okay. They depict scenes from the Mexican Revolution. Wow. Images of the University itself. Interesting. And symbols of the nation's journey toward modernity. It's almost like he's tracing a path from the ancient world to the present day. Wow. All within the framework of this one building. Okay. So the Central Library tells a story of cultural heritage and evolution. Right. What's next on our tour of University City's artistic landmarks? From the library's exploration of history, we move to a structure that embodies authority. What's next on our tour of University City's artistic landmarks? From the library's exploration of history, we move to a structure that embodies authority. What's next on our tour of University City's artistic landmarks? From the library's exploration of history, we move to a structure that embodies authority. The Rectoria Tower. Ah. The heart of UNAME's administration. Ah. I bet there are some powerful visuals there, too. It's not just visually powerful. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. Siqueiros' work always seems to pulsate with energy. How does that translate onto the rest of the building? It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. Siqueiros' work always seems to pulsate with energy. How does that translate onto the rest of the building? It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. It's a symbol adorned with three murals by David Alfaro Siqueiros, a master of dynamism and drama. Let's shift our focus now to the Science Faculty Building. I hear it houses three murals by José Chávez Murado, an artist whose work we haven't discussed yet. Chávez Murado brings his own unique perspective to University City. Unlike the grand historical narratives we've seen so far, he delves into more philosophical and symbolic themes. That sounds intriguing. Tell me about one that particularly stands out to you. The conquest of energy on the auditorium's facade is a powerful example. This three-part mosaic traces humanity's pursuit of knowledge, from the discovery of fire to the splitting of the atom. Imagine death shrouded over the elements, a lit torch buffeted by the wind, all culminating in figures pointing towards a rising figure, signifying progress and enlightenment. Wow, that imagery is incredibly evocative. It sounds like he was trying to capture the essence of scientific exploration, the constant struggle to understand the forces of nature. Yes, and the dangers that come with that pursuit. Notice how death looms over the elements, reminding us that knowledge can be both a blessing and a curse. It's a stark reminder of the duality of our existence, isn't it? The pursuit of knowledge can lead to great advancements, but also carries inherent risks. What about the other two murals on this building? Do they continue this exploration of scientific themes? Science and Labor, using Siqueiro's innovative vinylite technique, depicts the diverse social groups involved in the university's construction. Imagine a vibrant tapestry of faces, each contributing to this monumental project, reflecting the collaborative spirit that made University City a reality. It's like he's saying that science and progress aren't just the domain of intellectuals. They require the efforts of people from all walks of life. Precisely. It's a celebration of human endeavor of the collective will to build something greater than ourselves. And what about the third mural? I'm curious to hear more about Chavez-Morado's take on this theme. Quetzalcoatl's Return, located in the main patio, is a captivating piece. Imagine a vibrant scene of the serpent god's boat carrying figures from various past cultures. It's a visual representation of cultural exchange, the cyclical nature of time, and the enduring power of knowledge. It seems like every mural we encounter reveals another layer of meaning, another facet of Mexican identity. That's the beauty of University City. It's like a giant open-air textbook inviting us to explore the complexities of Mexican history, culture, and thought. Speaking of exploration, I understand there used to be a striking bronze statue bound Prometheus that stood on the grounds of the Science Faculty Building. Yes, a potent symbol of mankind's thirst for knowledge, eternally striving to unlock the secrets of the universe. However, it's been relocated to the new Faculty of Science site. And in its place. Now you'll find Federico Silva's The Mobile Bird. So even as the campus preserves its rich artistic legacy, it continues to evolve to embrace new expressions and to engage in a continuous dialogue with the present. Exactly. And that brings us to a fascinating aspect of University City that often gets overlooked. The sculptures. I have to admit, I've been so captivated by the murals that I haven't given the sculptures much thought. Tell me more about them. While the murals might be the most prominent artistic feature, the sculptures add another dimension to the campus experience. In fact, over 40 new murals have been added since the initial construction, though they haven't reached the same iconic status as the originals. But the sculptural landscape has really blossomed. So it's not just about preserving the past, but also about nurturing new forms of artistic expression. Exactly. University City is a living, breathing testament to the enduring power of art. It's not a static museum, but a dynamic space where creativity continues to flourish. I'm starting to see a pattern here. From the historical narratives of O'Gorman to the social commentary of Siqueiros and the philosophical explorations of Chavez Murado, it seems like each artist brought their own unique voice to this grand project. That's what makes University City so remarkable. It's a symphony of voices, a tapestry woven from diverse perspectives, all contributing to a shared narrative of Mexican identity. Okay, now I'm really curious about these sculptures. Can you give me an example of how they interact with the campus environment? Take the University Cultural Center, for example. Built in 1979, it's not just a collection of theaters and libraries, but also home to some incredible large-scale sculptures that interact with the volcanic landscape in fascinating ways. I'm picturing these sculptures rising from the rugged terrain, almost like they're extensions of the natural environment. What are some of the standout pieces? Pedregal Serpents is one that comes to mind. The way it winds through the landscape is mesmerizing. And what about the collective piece, Sculptural Space? What makes it so special? It's an incredible example of how artists can transform public spaces into immersive experiences. The way the sculptures interact with the light, the shadows, the surrounding buildings, it creates a whole new dimension to the campus environment. It's like the sculptures are having a conversation with the architecture, with the landscape, and even with the viewers who encounter them. Precisely. And that dialogue, that interplay between art and environment, is what makes University City such a unique and captivating place. All right, before we move on to the faculties of medicine and dentistry and the works of Francisco Eppens, let's take a moment to reflect on what we've discovered so far. It feels like we've been on this incredible journey through time and artistry. We've seen how these murals and sculptures have transformed University City into a living canvas reflecting not only Mexico's past, but also its aspirations for the future. And we still have one more stop on our tour, the faculties of medicine and dentistry. This is where we encounter the work of Francisco Eppens, a second-generation muralist who brings a different perspective to University City's artistic landscape. Okay, I'm curious, what sets Eppens apart from the other muralists we've discussed? Well, while artists like O'Gorman, Rivera, and Siqueiros often focused on grand historical narratives and social commentary, Eppens delves into more ontological and cultural themes, using symbolism and imagery to provoke deeper thought and introspection. So he's asking us to look inward to contemplate the human condition. Exactly. His mural on the faculty of dentistry's auditorium, Man's Self-Improvement Through Culture, is a perfect example. It depicts a winged man striving for infinity while tethered to the ground, a powerful metaphor for our aspirations, our limitations, and the duality of our nature. It makes me think about the constant push and pull between our desire to transcend our earthly bounds and the reality of our existence. That tension, that struggle, is at the heart of the human experience. And Eppens captures it beautifully in this mural. What about his work on the faculty of medicine? Does he continue to explore these existential themes? Life, death, miscegenation, and the four elements on the faculty of medicine's western facade is perhaps his most striking piece. Its scale, vibrant colors, and strategic location make it impossible to miss. What stands out to you about this particular mural? The imagery is incredibly rich and layered. You see pre-Hispanic references like Kotliku's breasts and hands, symbolizing life and creation. Then there's the representation of the four elements, water, wind, earth, and fire, essential for all existence. And at the center, you have this triple face representing a miscegenation. A triple face? That's intriguing. What's the significance of that? It depicts a Spanish father, an indigenous mother, and their child, the modern Mexican. It's a powerful symbol of the blending of cultures that defines Mexican identity, acknowledging the country's complex and multifaceted heritage. It's like he's saying that Mexican identity is not about purity or singularity, but rather about the fusion of different influences, a tapestry woven from diverse threads. Precisely. And framing this central image is the serpent biting its own tail, a symbol we've encountered in other murals representing eternal life, the cyclical nature of existence, and the interconnectedness of everything. It's fascinating how this symbol keeps reappearing throughout University City's murals. It's like a thread connecting these different works, reminding us of the larger themes at play. It speaks to a deep-seated belief in the continuity of life, the idea that beginnings and endings are not absolute, but rather part of an ongoing cycle of creation and destruction. It's almost like these murals taken together form a visual philosophy, inviting us to contemplate our place in the grand scheme of things. That's a beautiful way to put it. They're not just decorations. They're invitations to think, to question, to engage with the big questions that have haunted humanity since the dawn of time. As we wrap up our deep dive into University City, I'm struck by the sheer ambition and vision of this project. It's more than just a collection of buildings. It's a testament to the power of art to shape our understanding of ourselves and the world around us. It's a place where history, culture, and art intertwine to create a truly unique and unforgettable experience. I can't help but wonder what other public spaces could benefit from this kind of artistic integration. What if we reimagined our schools, libraries, and government buildings as canvases for creative expression? That's a provocative thought. Imagine walking through your city and being surrounded by art that reflects your community's history, values, and aspirations. It could transform our urban landscapes and inspire a deeper sense of connection and belonging. It's an exciting prospect. For anyone listening who's planning a trip to Mexico City, University City is an absolute must-see. It's a feast for the senses, a journey of discovery, and a testament to the enduring power of human creativity. And even if you can't make it there in person, there are plenty of resources online that allow you to explore these murals and sculptures virtually. Take the time to delve into the details, to uncover the layers of meaning, and to let these artworks spark your own imagination. Who knows? Maybe this deep dive will inspire you to seek out art in your own community, to appreciate the ways in which it enriches our lives, and to consider how we can use it to create a more beautiful, meaningful, and connected world. After all, art is not a luxury. It's a necessity. It's a reflection of who we are, where we come from, and where we're going. Thank you for joining us on this deep dive into the art and architecture of Mexico's University City. We hope you've enjoyed the journey as much as we have. Until next time, keep exploring, keep questioning, and keep the conversation going.