The audio titled "Crying" begins with the soft, ethereal strumming of a harp, conjuring an atmosphere of gentle melancholy. The listener can almost picture the tears slowly falling. Then, an unexpected element is introduced - the unique twang of a Jews-harp. It resonates in the background, adding an intriguing layer of complexity to the audio landscape. The Jews-harp is played by manipulating the instrument with the jaw, creating a range of pitches that mimic the ebb and flow of sorrow. It's as if the sound is being squeezed out, just like juice from a fruit. The mouth plays a crucial role in this process, controlling the intensity and rhythm of the sound. Suddenly, the audio takes a turn. The ambient sounds of the Ozark mountains can be heard, bringing a sense of raw earnestness and authenticity to the piece. It's as though the listener is transported to a peaceful, isolated place, where the emotions can flow freely without