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0321(1)

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Moses Tito is the founder of Memo Rivers Hub, a creative space for young artists. The hub focuses on four pillars: photography, videography, audio recording, and providing space and equipment. The goal is to help young people monetize their creativity and improve their skills. The hub has already recorded 40 songs and produced four videos, with some artists gaining recognition. Challenges include limited space and resources, as well as distractions and the desire for employment. Moses advises young people to be patient and dedicated to their goals. I'm called Moses Tito. I'm currently the founder of Memo Rivers Hub. Memo, which basically means of the brain. Rivers is you're able to track. Rivers, you're able to track, then have this space where young people are able to reach for objectives. One objective is to create something. The second objective is to nurture what has been created. The third objective is to utilize. And the fourth objective is benchmarking. We are able to learn from others, and others can come and learn from us. And we use four plus one pillars. Pillar number one is the use of photography, where we capture images. We tell stories through stand still photography. And also we are here to train young people. The main focus is performing artists on the use of photography. And pillar number two is videography, where we use motion, visual, to also tell stories. And through videography, we are also able to shoot music from the same artists that we have here. The fourth pillar is audio recording, where we record your vocals, we record music, or spoken word, or even your podcast. Then you can upload it wherever you want. The fifth pillar is the space. And also the equipments, basic equipments that we have, that we enable artists to utilize. So basically that's about us. We started in 2022. And this is basically a space for those who are creatives, and those who want to synchronize their creativity with the social media. Having been born and brought up in Kibra, we saw the need for creatives, also performing artists, to have a space where they can be able to utilize their abilities. And it was limited. And limited, and the available ones were very, very expensive. As we were growing up there, recording a single musical cost you between 15,000 to 30,000 shillings. Doing a clip was too much expensive that if you didn't have 30,000 shillings, you couldn't do a clip for free. But again, as time elapsed, you know, we started a social media space called Kibra Libreto, where I am also one of their leads. And in that space, I saw many artists complain. I saw many people share their cry on the need to have quality photos. They need to have a studio to record their songs. I saw many young people want a creative space. And that informed this idea. Our primary goal is to enable young people, you know, monetize their creativity and also have it in quality. You can come here, access the equipment to record, you know, your song. You can come access the studio. You record your music. You can also access the space, you know, to generate your content. So far, we've recorded about 40 songs, you know, from artists who are unknown. And out of the 40 songs we've recorded, four of those artists, I can say they are now climbing the ladder. You know, some of them are working with artists like Dr. Pizzo now. And some of them are partnering with other organizations. So I consider that as an achievement. We've done four videos, one joint project where all the artists came together and produced a song, uploaded it on YouTube. And the song has been played in our mainstream media, to be precise, Mambom Setu, the TV. And it has been played, our songs have been played four times. And I consider that as a visibility achievement. Another achievement is basically we've been able to utilize, you know, you can see this place is full of creativity. So that utilizing to me is an achievement, you know, enabling young people to use their paintings. And also young people are ambitious. So they are en-route. We call them en-route crew. They'll be here for a short period of time. They get something else. They want to move to the other thing. So they're always on the move. Young people are active. As I always say, the spirit of young people is in their strength or their ability to do. So if that is not put into positive practice, we will find young people deviating to engage in other unproductive things. Young people are also highly, you know, they're highly in a relationship. You know, they want to be in a relationship. They want to date. They want to... So that can also be a challenge because if you're not keen, you can have a misplaced focus. You can spend a lot of time in, you know, eating chips with your boyfriend and girlfriend and forget, you know, to come and do this task. So those are challenges I've seen. The last challenge is basically young people want to be employed, you know. So this place cannot absorb every young person. So it itself, you know, it's a challenge because young people want to intern. They want a space to intern. And this is a limited space in a sense that it can only accommodate such a number of people in the office. So the demand, in fact, is that high demand. But again, resources will always be limited. It's only how they're utilized that makes a difference. I'll tell young people it takes time. It's not an organized thing, you know, that you see me with my big car and you watch it. There's a difference between wanting it and working for it. Working for it takes quite a lot. Wanting it takes quite a sight. You know, you see you want, but it's a process. So time and process, give it to yourself.

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