6Ai

To orient this reporter, I've got to first think about re-reporting the first thing that came to mind during this episode, and that is me being inside of the Horton Plaza, all in a state of alters, going through different mindsets of different presentations and understanding of things and getting semblances to my subliminal mind put forth in the Dematria and Kabbalistic nature of reading documents, which is the first time that I had done it consciously in a long time. I need to think about and process the data in my subliminal mind about how I was being traumatized, but I was overcoming it by going into a state of denial and not paying attention to what exactly it was if it happened to me directly, and not accepting it in my mind as remembering what exactly happened in my forefront mind as though it was happening again, but it was happening in my subliminal mind. I've got to find a way to orient that and describe that in such a manner that the viewer will understand it and get a full context about what was going on with it and how that was happening, and as a result of that, the place where I'm going to do that is when I was inside of the Horton Plaza while I came back from being in my alters of vanished memory, which is being in a state of denial, and I started to view Kabbalistic and sources of the Dematria items in such a manner that it was sending me messages and reawakening my subconscious mind, and then when I got to the movie theater, I saw something for the movie, the stoning of Sariah Ann, the advertisement thereof, that described to me exactly how it was, that and the body motions and speaking of people going around inside of the mall in that area that talked, that described to me and reawakened my mind to the horrible things that happened to me previously that night or that day, which happened around lunch. I got to remember that because I was out for like three days and had three days of adventures, and many of it was during times that I was dead and inside of the hereafter having special adventures with religious figures, but I'll go into that as time progresses. I need to put in a full context of what it was that I was going through and the analysis and determination of what it was that I needed to do in terms of what I was going to arrive at with my mindset when I was dead. Now, when a person dies, there's a period, there's a very brief period of time where they seem like they're transiting between dimensions and universities and universes in such a manner that it seems unreal and like it isn't really happening, but it is happening, and I need to remember what it was like when I transited to the hereafter in 2013 and probably 2011, and when I died in 2011, I believe, and before that, like in 2009 and such, what the effects were of me transiting to those kind of elements with my mindset. Now, I'm becoming aware that there's certain things that occurred that I'm in full awareness of, and then there's like a dreamlike awareness of things happening where I'm trying to go into a state of denial but not quite there, and then there's a state of denial, which is something where I'm learning how to become more aware of what those things were and how to become conscious of them and to bring them to the forefront. Now, what I need to do for this recording is make it so that I'm remembering the events of what my consciousness was doing and the elements of my previous life, my previous lives, this life, and all those other kinds of elements were having in the processing of my brain and certain things in regards to what was happening when I died in 2009 and I was dead for nearly three days for over 40 hours in Nineveh and came to conclusions about certain things there, and I needed to determine what they are and come across the ways of realizing what they are using my capitalistic and gematria reading and my subliminal mind awakening and bringing it forth to my forefront mind. Now, as far as what occurred when I was in my state of altar, when the beginning of this song, Six Alpha I Point B I, begins to portray itself, it starts out with me inside of the hobby shop, inside of the Horton Plaza Mall, and I was—it starts out with me, very first picture of me looking at a box that has a picture of a bunch of flowers oriented around the one side with the shapes of the flowers moving in a mesa, not a mesa, but a Mayan sense of orientation, and also, while I was looking at that, I looked at the inside of the plastic box. There was the window looking at the inside of the box that I had, and it was showing puzzle pieces that were oriented to the top right, which is the direction I was looking from. It showed dark colors oriented around, next to dark colors, oriented by gray colors, oriented by lightish brown colors, oriented by mauve, and brighter and brighter and brighter colors going outwards. Now, as it shows it, the video program shows drawing over, through digital animation, over the topics of the shapes of the flowers, drawings over the shapes of the flowers in a Mayan sense. It draws a line showing that it drew the attention through the shapes, colors, and fading of it to the shapes of the puzzles and the pieces of their end, and the way it described it, the puzzles, was that you think of it equated to something thoughtful, like it would equate to something very difficult and tenuous to think about, and come across ideas relative to it over and over and over again. Each one of those ideas could lead to something more and more and more positive in your perceptions, and I took that idea in relations to what was happening to me in my subliminal mind that had happened to me earlier that I wasn't aware of, but I was in a state of denial of, and I was starting to recover from the denial. I'm going to go into that just a little bit here with the story. A Divine and That's the Fabulous Contraption is the name of the sticker that was on that box of the puzzle pieces within it. I continued on, and that drew me to the next box, which was another set of puzzle pieces like it that was actually flawless. Put together, they were like Legos, but it was not non-named Legos. It was like Puzzolini or something like that. The names of the shapes, designs, and colors on it will be drawn depending on the illustration to show that they are transiting between different concepts, between how bad things can happen before certain ideas give negative concepts about things, and as a result of that, a person can see other things related to it that are of parallel nature, and like parallels, one line could be going in a really bad way, another line could look exactly the same, but it'd be in a different location. That space in between is the opening of positive input between the two to separate the concepts between the different ones. The realization of that idea coming forth to me brought forth the concepts and the realizations that that was the kind of thing that I was doing in relation to the events of things that had happened to me in the past, and it was going to happen far, far much more in the future as time progressed, and that was starting to evolve more and more and more as I looked more into the things inside of that shop that I believed were put there by Allah and angels in a higher power, transiting ideas and concepts to me about how things were working and arriving to reality. I went further into the hobby shop, and near the end of it, near the inside portion of it, I found, next to a little stand on the left-hand side, a little box sort of thing with a model inside of it. It was about a medium-sized box, a couple of feet by a couple of feet big, and it had a model inside of it of a car, and it was saying things like, go faster, go farther, go farther, go farther, go harder. That is how you should do it, and that is what we do. And if you put the letters on top of the other letters, they would spell special words inside of it, because some of the words were on top of other words, like it would say go, and then below it would say faster, then next to that it would say go, and then harder would be below, and it would say things like O-A, go, G-O, harder, H-A. That would be O-A, and that is the initials of a TV show, O-A, that has a lady that has special powers that grew to fruition about the special ideas and concepts of our powers within in such a manner that she became elevated to a higher level within multiple dimensions, and that was in effect a precursor to what was going to happen to me, because I was going to die, and I moved to different elements of perceptions. I looked up at the end of the coffee, or not the coffee shop, but the hobby shop, and I saw there was a pair of overalls and shoes, and I was only wearing a pair of overalls and no shirt, but there was also a shirt there too, and the shirt said, so you've done it, that's all there is, time to go, and it had an exclamation point after it, and that was a message to me from the semblance of me looking directly at it without any hesitation and not looking at anything else, that it was time for me to go, and that was all there was that I had to perceive of there. I took the shoes and the shirt and put them on and then left, but I put them on after I left and went out into the mall area by the bench that was sitting around out there, and when I was by the bench, a lady and a man came by, they were elderly, and they were waving their hands around all excited and things like that, saying that there were outstanding movies at the movie theater that they were wanting to see that played a big part in their perceptions of how things were, and that seemed to me to be a message to me, them saying that upon me putting on things that I'd basically stolen from the store when I was homeless, that there was something at the movie theater for me to pay attention to that was relevant to my existence and things that had happened to me. I walked over to the movie theater and it was across the open aisleway in between the hallway that was looking down at other levels inside of the Horton Plaza Mall, and I looked at the movie theater advertisements, and the first one that I looked at was one called The Stoning of Soraya M., and I read the advertisement for it, and I recognized the picture as though it was something that I'd seen before of Soraya, just a picture of part of her face over a dark background, and the story was about a woman in Iran who was trying to get divorced from her, or not divorced, but who wanted to stay with her husband, but her husband wanted to divorce her, so he lied and said that she had been cheating on him, which she had not been doing, and then all the other people believed his lies, and they stoned her to death, which was actually murder on their part, and the reason I was really interested in seeing that kind of thing was because based on the messages that I got from the puzzle pieces and the picture of the flowers on the box next to each other, transiting ideas from bad things happening to good things happening, through from the perceptions around it, that led to me being of the perception that I had been to prison when I was innocent, and they did corrupt things against me, trying to drive me insane, which didn't really, didn't all the way work, and they kept me in for the longest period of time there is, which was similar to being stoned to death, like Soraya M. had been, and they did it here in the United States, and when they were doing it to me, I basically ran in a cell to try to keep them at bay, to try to keep them at bay, and I was like the word I ran, I ran, which is where Soraya M. was. Anyway, that's capitalistic thinking in mind, and yeah, capitalistic thinking, and I came to the conclusion that that sort of thing was going to happen, but also in my subliminal mind, it was becoming highly aware of the bad things that had happened to me earlier that day that I've been trying to suppress in my mind, in my memory, for my survival instinct, which was starting to become awake and aware of what was going on, and I was looking at that advertisement for the Soraya thing, I started to regain memories of all the bad things that had happened to me here, and I'll tell more about that as time progresses in the next part of the recording.