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The transcript discusses the process of working with images and animations. It emphasizes the importance of time duration, movement, and composition in creating visual effects. The speaker mentions the use of Photoshop and encourages experimentation and creativity in manipulating images. They also talk about the role of sound in enhancing visuals and suggest using natural sounds or creating one's own music. The use of cameras, drawings, and digital formats in creating visual art is also mentioned. The speaker suggests exploring software like Max MST and Cycling 74 for working with sound and video. They mention that these programs can be controlled using keyboards or controllers. Overall, the transcript emphasizes the freedom to experiment and create visually engaging and immersive experiences. What we did with the first exercise how random we all came together you did not know what came together ultimately you all this came together and then you came to some kind of understanding that time we remain like this something does not came after certain experience of outside inner and outer experience so you came to a conclusion as we did that. Similarly now process we are moving the process to play with the image there is a what happens in image there is a time test duration result the image would have a duration it could be a fraction of a second a fraction of a minute or whatever it is so you work with the time duration for how long that remains to remain then animation comes animation is not always something or did something to the image even fade in and fade out is also an animation of the day you see the next day or whatever it may also mean how a huge amount of this image can be made into the frame from left right or at all or from the top means some display in a real life if you are in an underwater you are pushed into a water how it will start to come out something comes out of those that we are in if it is swimming you will know what it is like diving into the water that is coming out or if you are in your experience from a third floor or a second floor having that energy or jumping ship from your hand what is it or if you are watching somebody jumping down what is it or somebody slapping you from a depth or slapping you on the waist one of what is it how you exist or you know all these things are happens in later image manipulation because fail so this is all from the real experiences that means it means that image says something in a platform but still there is and so there is a sometimes a narration meaning from the artist which there is a entry into the page so that we play around with the image one way and another image how can't you make that we observe from there for right or from the top or a bottom or imposing something is important sometimes you are imposed is something jeopardously let out therefore done so there is an image which can be not from there not from the right not from anywhere it can be put on straight onto the frame either we can do the image or you can just put on the frame so now all these different kind of entry one kind of so all the things you will see they are all very versatile entries it can have a meaning why we do them and we will do it through all these day-to-day experiences it is all the same so now what i mean this is something which even you are going to buy you if you always have work in a photoshop photoshop you know you can make one image and another image you say that oh i want to remove the background of one image and keep the background of another you should be you know in a similar way even in the visual it forms layers multiple layers multiple frames are but one image it can you can decide it should last for three minutes or four minutes about two seconds so every layer would have the time bar tracking so that having their own time relations they can start on from that year and nip in some way that is at that time that visuality is something totally different or otherwise you see all that in photoshop that as you see a photoshop is just that you have to understand the use of time but other they're all there and whatever happens in photoshop all the features all you can control the one layer to another layer so changing multiplying just have a feel it's like that it was you know just all the experience but bottom level intention is the images of your own drawings that you can do it for any images that you have found in your media or anything that you can use or you can use other frames motion or anything that you like so i want to use them and it is there and see why do you see this you may have an idea of the method like it happens in the same thing drawing if i let you i know you have already had an idea i want you to know don't go by that even if you start like that have a freedom to just compose them alter them see that all the variations all the variations on a lot this one you see the film that's four stories come together this is foreign uh it is all for the one cause you see that's how this structure not like the progress has to be very ingenious so now various tensors of progress that will be there and also sound is there one thing i am not to use for the established music for a song uh this audience fascinating that person is engaging okay then nice music this is how basically to use that you think that oh it's going very well with my you get freedom right sometimes that music may not feel of love here you may need to go ready but give up try and go explore songs of your own after sound whatever all you want to generate a feeling for yourself or a group of people you can just put in or you can just go for a natural sounds you put a machine sound record which is on earth and so forth you can talk to me you can chat with me whatever one should be learning wherever you think of that now this is the orientation now we can see certain artificialism where they're using a camera some are using drawings eventually camera camera has to be there to receive the noise on but basics of the world can be several there could be used to be math and then that they they could be physically drawn an animator or it could be different from the camera or it could be even collage of moving images uh like that there is a one fellow even actually working in a studio in studio like a editor and you are working with films scripts and another paradigm change people went into digital formats and lot of things even when the transition was coming in uh there are a lot of things yet they're not that behind in the studio not that everything is really simple so rock and roll is a great stage artistic and marathon of its own we say some of these so what these are this and there's a lot of these books are available maybe I mean these are all corrected things maybe can be can be in about 15 years back I didn't really realize there would be the subtitles I guess download them uh it means may eat us to us to itself a very good so if you look off many more works interesting models maybe spend something now having watched this what did you think of it what is the narration there is no storyline there is no dialogue there is no it's just a visual bombardment what made you feel um green but green sometimes and we have so many briefings so it's great like she was having a very bad dream and that you can feel it with the visuals also the of the place in the visuals on the page the flickering of the light and the sound that's true that we should see the without any literal sequences the narration or any direct any kind of song overlapping or something so they suggest two kind of elements which are there and faces comes and then body comes and and lines over that there is a kind of dark you know horror kind of thing and then smiling on the faces all those things are a different kind of explorations so there's nothing uh having to be really literally uh narrating any story as it's uh so now is that is the one uh i did it i know without it said almost like a collage i mean that's instead of when i was going through the work i felt that we use this work almost on the i just said that they'll all the poets and reconstruct and i know that's a very hard on the course to the idea of own work and see then i personally of course i mean the digital way you can follow them you can pay them can destroy them digitally and reconstruct them and play around that's good now when we look at this film it is all physically in fact it's like a collage which is passing later for recording now there is another artist who does totally uh is make a performance digital interventions out there you've seen it cycling 74 it's a a program belongs to max hi i'm elise alvarez and i'm an intermedia artist and i'm a genius mathematician okay one more same thing in a different so this is if you go to max mst it's a program the balance package called cycling 74 is much later they came up with this package otherwise it used to be called max mst and cycling 74 is something very advanced kind of thing now what's happening here in this what we saw lately if you people who are familiar with mixer sound mixer i know you have a mic you have a mixer you have a speaker and you have a 10 different things somebody playing the computer somebody with a mic and somebody with the kind of you know cell phone kind of separate thing and multiple things are you know then how you know mixer works and i could gather on yeah channelize which music what time you can use it and manipulate them now max mst with cycling 74 is a program which allows you to work with sound videos and other technologies like and so many things you can connect them and then you can physically you can operate with your key keyboard or a mouse turning what you know knobs and whatever and a key switcher but they can also be connected to the any system you know if you have a controller that can be control so that keyboard or a controller can give the commands to the program exactly now this is something which is there this program is available for one month on the you know from the site free it's not like you cannot work you have to save there's a lot of libraries fundamental things are there to understand it's a beautiful program and we can explore that i know today or tomorrow whenever you feel like yeah i want to and if you go to sites youtube sites especially cycling 74 people are using it theater people coming up is various parties are using the pool so you get a variety of ideas with what's happening with methods you have something called pure data is actually a foundation of pure data but pure data is a free open source program but if you do that you have to learn a lot of things you have to construct things on your own which you have to understand learn the languages and then you have to construct it can do some various kinds of experiments but maxmsp has made a package for various things you don't really have to worry how it is going to happen now it's what's this already let the formula this tablets i don't believe is a big function so you don't understand all that so it's applicable this thing is applicable again for this there we go this actually comes with a blank sheet you understand any program they put in the drawing program say if you're using a presentation my presentation or your word draw drawing or a word or any so blank sheet then what you want you have a big factor you have a big square and a big line like that there are images are there there's a library what is what happens a three uh jars and every element is described very well there are lots of uh right that is unimaginable number of letters are there tutorials are there and what's nice about maxmsp tutorials or the pure data program they give you the whole package what is being constructed with the worksheet so if you are working on a worksheet if you make any manipulations you understand what the manipulation makes the changes in the algorithm so that way you also know that uh the program what's you may not know what is these numbers if we change the numbers we result the same for the things like can I go in or if you draw an account and all something that changes with how scale is also so now this is something which is natural must be happening i'm just giving you a note it's not that we're going to work you need this an interest that um just kind of bring into it now other thing is technical thing you always want to examine how do i draw this yeah what i'm doing this yeah now in this i was talking about the time generation already all things can be dry so the footage can be dry if you external number of frames you can expand the data the footing then it is still image you can push and pull them stop right away we want another thing if you each program would have a different key for it if you stretch it it can become a slow motion also because there is been stretched the frame rates are a bigger field into it so it becomes a slow action if you screen the thing by pressing the key you know this speech it's not the cutting in cutting is a difference can cut anywhere the ideal of data at any time but squeezing in and out is if you squeeze it it can be a very fast you know action so now that is something which is there i just showed this because how i know see this in the remain strut out image and see for you both you need something else makes you feel and timing at the right time or this thing this can be done even in the power pointers even if you have anybody is that they have power point can also be very interesting program to or construct your video eventually you can output as a video file also problem now there is another artist care of billions of years we all know he is also another artist in both it's a major problem now if you look at this tool i was saying that mostly use drawings you are going many of the things about town and garage and having a play so you can think of possibility of reusing some of your work within a context and try and work if you look at what is this particular film what does it say if you think about it there is always a question take over to be a personal impersonal you know this come for you all this time there is always intervening with the personal and social one of the things happens not always something is strange now i'm just giving you all kinds of ideas that are and i'm interested to oh go now we have another or student was to have done this in the border image drawings you you you you oh so so that's right you here is somebody who is gone into too much of some fascination into program and not by reading a special effect so he is learning and then you brought in all your breathing that is possible and into the is there is another one is the purity images at all for that is connecting this is like the prophets cut out and manipulate them you you you you now last thing is this very interesting a musician it's how to visit and it's very very much like how do we see things it's very close to that something is today so thank for you for treating sound and not just as a means of empathy although of course being a participator of music but when i asked you upside down stuff you'll force or happen on the youtube this video she is not failing gaining culturalism it's the same type of their religion why i have showed this thing is voice we also have to learn it's not like everything we learnt from visual material here what she was seeing as a musician everything from nature from observation so to understand we think we are the visual artists they were linked in visual i know there's nothing else first but there's so much to understand and realize in the neck is what sensation sensation from propolis even nobody even imagine while you are making drawings scratch not nobody even imagine any vibration who are to be never even said i know how that vibration is need some how that gesture means some so that's why i said one can show it is that how a musician he gets is in them by the bird and she get wonderful love she learned through vibrations and understanding she said she think i'm found in the wall and wonderful objects and learning things later on she married to somebody to a scientist she's one of those precautions a material in which i've been so i'm giving you all kinds of areas of understanding your practice not from i mean easy for us to see a visual part of work and say i want to do like this and or i'm inspired by that and want to do some but in the other areas of ways we have to develop our sensibilities to other areas of solving understanding don't feel confined to visual arts so our as far as i say you folks pick up things and come to me watch images that you're taking all you want to do i know everybody i have not don't have a system computer or laptop about that we're going to work on you come with that and we'll see how it works whether you work it as a group or if you are working as a group the simple when we look at works that you saw say for example dream dream could be beautiful dream could be happy dream could be frightening you could be sad and things like that so now when you say that any kind of objective is allowed what is it is it could be your personal it could be social it could be politically anything what it was it brings you away positive or negative you know feeling so you think about it so you think in terms of feeling how does it what should it generate whether it should be a dreams dreamland fantasize in or it is what is it think of it and then you go into what are the contents in order to pull it okay so we'll see how things develop you can go i know there are a lot of material that you folks don't have