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The End of the World (Part Two) 20 minutes
The End of the World (Part Two) Ms. Salem Reads 20 minutes until the end . .
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The End of the World (Part Two) 20 minutes
Listen to The End of the World (Part Two) Ms. Salem Reads 20 minutes until the end . . by Johanna Salem MP3 song. The End of the World (Part Two) Ms. Salem Reads 20 minutes until the end . . song from Johanna Salem is available on Audio.com. The duration of song is 20:01. This high-quality MP3 track has 633.755 kbps bitrate and was uploaded on 10 Dec 2023. Stream and download The End of the World (Part Two) Ms. Salem Reads 20 minutes until the end . . by Johanna Salem for free on Audio.com – your ultimate destination for MP3 music.
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End of the World, Part 2. Almost all the words are faded now. The black book is disintegrating under the weight of my travels. That's why I tell you this story. What did we say earlier? Say something enough times and you'll never forget it. Also, I can tell you what happened after the book thief's words had stopped, and how I came to know her story in the first place, like this. Picture yourself walking down Himmel Street in the dark. Your hair is getting wet and the air pressure is on the verge of a drastic change. The first bomb hits Tommy Mueller's apartment block. His face twitches innocently in his sleep, and I kneel at his bed. Next, his sister. Christina's feet are sticking out from under the blanket. They match the hopscotch footprints on the street. Her little toes. Their mother sleeps a few feet away. Four cigarettes sit disfigured in her ashtray, and the roofless ceiling is hotplate red. Himmel Street is burning. The sirens began to howl. Too late now, I whispered, for that little exercise. Because everyone had been fooled and fooled again. First up, the Allies had feigned a raid on Munich in order to strike its troop guard. Then next, ten planes had remained. Oh, there were warnings, all right. In mocking, they came with bombs. A roll call of streets. Munich, Ellenberg, Johannsen, Himmel. The main street, plus three more in the poorer part of town. In the space of a few minutes, all of them were gone. A church was chopped down. Earth was destroyed, where Max Vandenberg had stayed on his feet. At 31 Himmel Street, Frau Hofstel appeared to be waiting for me in the kitchen. A broken cup was in front of her, and in her last moments of awakeness, her face seemed to ask just what the hell had taken me so long. In contrast, Frau Diller was fast asleep. Her bulletproof glasses were shattered next to the bed. Her shop was obliterated, the counter landing across the road, and her framed photo of Hitler was taken from the wall and thrown to the floor. The man was positively mugged and beaten to a glass-shattering pulp. I stepped on him on my way out. The fiddlers were well-organized, all in bed, all covered. Sifakis was hidden up to his nose. At the Steiner's, I ran my fingers through Barbara's lovely combed hair. I took the serious look from Kurt's serious sleeping face, and one by one, I kissed the smaller ones goodnight. Then Rudy. Oh, crucified Christ. Rudy. He lay in bed with one of his sisters. She must have kicked him or muffled her way into the majority of the bed space, because he was on the very edge with his arm around her. The boy slept. His candle-lit hair ignited the bed, and I picked both him and Patina up with their soles still in the blanket. If nothing else, they died fast, and they were warm. The boy from the plane, I thought. The teddy bear boy. Where was Rudy's comfort? Who was there to soothe him as life's rug was snatched from under his sleeping feet? There was only me. And I'm not too great at that sort of comforting thing, especially when my hands are cold and the bed is warm. I carried him softly through the broken street with one salty eye and a heavy, deathly heart. With him, I tried a little harder. I watched the contents of his soul for a moment, and saw a black-painted boy calling the name Jesse Owens as he ran through an imaginary tape. I saw him hip-deep in some icy water chasing a book, and I saw a boy lying in bed, imagining how a kiss would taste from his glorious next-door neighbor. He does something to me, that boy. Every time. It's his only detriment. He steps on my heart. He makes me cry. Finally, the Hoobermans. Hans. Papa. He was tall in the bed, and I could see this silver through his eyelids. His soul sat up. It met me. Those kind of souls always do. The best ones. The ones who rise up and say, I know who you are, and I'm ready. Not that I want to go, of course, but I will come. Those souls are always light, because more of them have been put out. More of them have already found their way to other places. This one was sent out by the breath of an accordion, the odd taste of champagne in summer, and the art of promise-keeping. He lay in my arms and rested. There was an itchy lung for last cigarette, and an immense magnetic pull towards the basement for the girl who was his daughter, and was writing a book down there, that he hoped to read one day. Liesel. His soul whispered it as I carried him away, but there was no Liesel in that house. Not for me, anyway. For me, there was only a Rosa, and yes, I truly think I picked her up mid-snore, for her mouth was open, and her papery pink lips were still in the act of moving. If she'd seen me, I'm sure she would have called me a sockroll, though I would not have taken it badly. After reading the book thief, I discovered that she called everyone that. Sockroll, psalm edge, especially the people she loved. Her elastic hair was out, it rubbed against the pillow, and her wardrobe body had risen with the beating of her heart. Make no mistake, that woman had a heart. She had a bigger one than people would think. There was a lot in it, stored up high in miles of hidden shelving. Remember, she was the woman with the instrument strapped to her body in the long moonslit night. She was the Jew feeder without a question in the world, on a man's first night in milking. And she was an arm reacher, deep into a mattress to deliver a sketchbook to a teenage girl. The last luck. I moved from street to street and came back for a single man named Schultz, at the bottom of Himmel. He couldn't hold on inside the cleft house, and I was carrying his soul up Himmel street when I noticed the LSE men shouting and laughing. There was a small valley in the mountain range of rubble. The hot sky was red and turning. Pepper streaks were starting to swirl and I became curious. Yes, yes, I know what I told you at the beginning. Usually my curiosity leads to the dreaded witnessing of some kind of human outcry. But on this occasion, I have to say that although it broke my heart, I was and still am glad I was there. When they pulled her out, it's true that she started to wail and scream for Hans Huberman. The men of the LSE tempted to keep her in their powdery arms, but the book thief managed to break away. Desperate humans often seem able to do this. She did not know where she was running for Himmel street no longer existed. Everything was new and apocalyptic. Why was the sky red? How could it be snowing? And why did the snowflakes burn her arms? Liesel slowed to a staggering walk and concentrated up ahead. Where's Fraud Dillers, she thought. Where's... She wandered a short while longer until the man who found her took her arm and kept talking. You're just in shock, my girl. It's just shock. You're going to be fine. What's happened? Liesel asked. Is this still Himmel street? Yes. The man had disappointed eyes. What had he seen these past few years? This is Himmel. You got bombed, my girl. Es tut mir leid. I'm sorry, darling. The girl's mouth wandered on, even if her body was now still. She had forgotten her previous wails for Hans Huberman. That was years ago. A bombing will do that, she said. We have to get my papa, my mama. We have to get Max out of the basement. If he's not there, he's in the hallway looking out the window. He does that sometimes when there's a raid. He doesn't get to look much at the sky, you see. But I have to tell him how the weather looks now. He'll never believe me. Her body buckled at that moment, and the LSE man caught her and sat her down. We'll move her in a minute, he told the sergeant. The book thief looked at what was heavy and hurting in her hand. The book. The words. Her hands were bleeding, just as they had been on her arrival here. The LS man helped her up and started to lead her away. A wooden spoon was on fire. A man walked past with a broken accordion case, and Liesel could see the instrument inside. She could see its white teeth and the black notes in between. They smiled at her and triggered an alertness to reality. We were bombed, she thought. And now she turned to the man at her side and said, that's my papa's accordion. Again, that is my papa's accordion. Don't worry, young girl, you're safe. Just come a little further. But Liesel did not come. She looked to where the man was taking the accordion and followed him. With the red sky still showering its beautiful ash. She stopped the tall LSE worker and said, I'll take that if you like. It's my papa's. Softly, she took it from the man's hand and began carrying it off. It was right about then that she saw the first body. The accordion case fell from her grip. The sound of an explosion. Frost fell with scissors on the ground. The next dozen seconds of Liesel Memminger's life. She turns on her heel and looks as far as she can down this ruined canal that was once Himmel Street. She sees two men carrying a body and follows them. When she saw the rest of them, Liesel coughed. She listened momentarily as a man told the others that they had found one of the bodies in pieces in one of the maple trees. There were shocked pajamas and torn faces. It was the boy's hair she saw first. Rudy? She did more than mouth the word now. Rudy? He lay with yellow hair and closed eyes and the book thief ran towards him and fell down. She dropped the black book. Rudy, she stopped. Wake up. She grabbed him by the shirt and gave him the just the slightest disbelieving shake. Wake up, Rudy. And now as the sky went on heating and showering ash, Liesel was holding Rudy's standard shirt by the front. Rudy, please. The tears grappled with her face. Rudy, please wake up. God damn it. Wake up. I love you. Come on, Rudy. Come on, Jesse Owens. Don't you know I love you? Wake up. Wake up. Wake up. But nothing cared. The rebel just climbed higher. Concrete hills with caps of red. A beautiful tear stump girl shaking the dead. Come on, Jesse Owens. But the boy did not wake. In disbelief, Liesel buried her head into Rudy's chest. She held his limp body, trying to keep him from rolling back until she needed to return him to the butchered ground. She did it gently. Slow, slow. God, Rudy. She leaned back and looked at his lifeless face. And Liesel kissed her best friend Rudy Spanner soft and true on his lips. He tasted dusty and sweet. He tasted like regret in the shadows of trees and in the glow of the anarchist suit collection. She kissed him long and soft. And when she pulled herself away, she touched his mouth with her fingers. Her hands were trembling. Her lips were fleshy. And she leaned in once more, this time losing control and misjudging it. Their teeth collided on the demolished world of Hemel Street. She did not say goodbye. She was incapable. And after a few minutes at his side, she was able to tear herself from the ground. It amazes me what humans can do, even when streams are flowing down their faces, and they stagger on, coughing, and searching, and finding. The next discovery, the bodies of Mama and Papa, both lying tangled in the gravel bedsheet of Hemel Street. Liesel did not walk or run or move at all. Her eyes had scoured the humans and stopped hazily when she noticed the tall man in the short wardrobe woman. That's my Mama. That's my Papa. The words were stapled to her. Stapled to her. They're not moving, she said quietly. They're not moving. Perhaps if she stood still long enough, it would be they who moved. But they remained motionless for as long as Liesel did. I realized at that moment that she was not wearing any shoes. What an odd thing to notice right then. Perhaps I was trying to avoid her face. For the book thief was truly an irretrievable mess. She took a step and didn't want to take any more, but she did. Slowly, Liesel walked her Mama and Papa and sat down between them. She held Mama's hand and began speaking to her. Remember when I came here, Mama? I clung to the gate and cried. Do you remember what you said to everyone on the street that day? Her voice wavered. No. You said you were. What are you arseholes looking at? She took Mama's hand and touched her wrist. Mama, I know that that you. I liked when you came to school and told me Max had woken up. Do you know I saw you with Papa's accordion? She tightened her grip on the hardening hand. I came and I watched and you were beautiful. God damn it. You're so beautiful, Mama. Many moments of avoidance. Papa, she could not. Would not. Look at Papa. Not yet. Not now. Papa was a man with silver eyes. Not dead once. Papa was an accordion, but his bellows were all empty. Nothing went in and nothing came out. She began to rock back and forth. A shrill, quiet, smearing note was caught somewhere in her mouth until she finally, finally was able to turn to Papa. At that point, I couldn't help it. I walked around to see her better. And from that moment, I witnessed her face again. I couldn't tell. I could tell that this was the one she loved the most. Her expression stoked, stroked the man on his face. It followed one of the lines down his cheek. He had sat in the washroom with her and taught her how to roll a cigarette. He gave bread to a dead man on Munich Street and told the girl to keep reading in the bomb shelter. Perhaps if he hadn't, she might not have ended up writing in the basement. Papa, the accordionist, and Hamel Street. One could not exist without the other. Because for Liesl, both were home. Yes, that's what Hans Hubern was for, Liesl Memminger. Home. She turned around and spoke to the LSE. Please, she said, that is my Papa's accordion. Could you get it for me? After a few minutes of confusion, an older member brought the eaten case and Liesl opened it. She removed the injured instrument and lay it next to the body of Papa. Here, Papa. And I can promise you something. Because it was a thing I saw many years later, a vision in the bookseed of herself, that as she kneeled next to Hans Hubermann, she watched him stand and play the accordion. He stood and strapped it on the Alps of broken houses. They were there, silver eyes. There was a cigarette slouched on his lips. He even made a mistake and left in lovely hindsight. The bellows breathed in and the tall man played for Liesl Memminger one last time, as the sky was slowly taken from the stove. Keep playing, Papa. Papa stopped. He dropped the accordion and his silver eyes continued to rust. There was only a body now on the ground. And Liesl lifted him up and hugged him. She wept over the shoulder of Hans Hubermann. Goodbye, Papa. You saved me. You taught me to read. No one can play like you. I'll never drink champagne. No one can play like you. Her arms held him. She kissed his shoulder. She couldn't bear to look at his face anymore. And she placed him down again. The book thief wept until she was gently taken away. Later, they remembered the accordion. But no one noticed the book. There was much work to be done. And with a collection of other materials, the book thief was stepped on several times and eventually picked up without even a glance and thrown aboard a garbage truck. Just before the truck left, I climbed quickly up and took it in my hand. It's lucky I was there. Then again, who am I kidding? I'm in most places at least once. And in 1943, I was just about everywhere.
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