Details
"Filthy Malevolent Sound Garbage" is a provocative auditory experience that pushes the boundaries of conventional music. Pulsating at its core is the genre of breakcore, with its erratic, high-tempo beats and complex drum patterns that drive the rhythm of the piece. It's as if the drumlines have been shattered and then pieced back together in a different order, creating an unpredictable and chaotic soundscape. The audio is characterized by its dirty and distortion-heavy elements. These provide a raw, gritty texture that feels coarse to the ears, yet is undeniably captivating. This is further accentuated by the use of noise, which is manipulated and melded into the composition in an almost aggressive manner. The noise is not merely a background element; it's a critical component of the piece, adding layers of depth and complexity. The piece also employs a technique known as cut-up, a method where existing audio samples are fragmented and rearranged to create new and often disorienti
Comment
"Filthy Malevolent Sound Garbage" is a provocative auditory experience that pushes the boundaries of conventional music. Pulsating at its core is the genre of breakcore, with its erratic, high-tempo beats and complex drum patterns that drive the rhythm of the piece. It's as if the drumlines have been shattered and then pieced back together in a different order, creating an unpredictable and chaotic soundscape. The audio is characterized by its dirty and distortion-heavy elements. These provide a raw, gritty texture that feels coarse to the ears, yet is undeniably captivating. This is further accentuated by the use of noise, which is manipulated and melded into the composition in an almost aggressive manner. The noise is not merely a background element; it's a critical component of the piece, adding layers of depth and complexity. The piece also employs a technique known as cut-up, a method where existing audio samples are fragmented and rearranged to create new and often disorienti
