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This audio recording, titled "August 28, 2016 Recording 04", is a fascinating auditory exploration, meticulously crafted with the assistance of FL Studio, a digital audio workstation. The audio is characterized by a steady rhythm of 90 beats per minute, providing a consistent backdrop for the multitude of sound elements that are introduced throughout the track. The audio begins with the distinct and recurring sound of what appears to be garbage being sifted or shuffled, adding an unusual yet intriguing texture to the composition. This is not your standard musical element, demonstrating the composer's creative use of unconventional sound sources. The 'garbage' sound is looped throughout the track, providing a gritty, industrial feel, and setting a unique tone for the audio piece. As the recording progresses, these initial sounds are layered with additional elements, each looped and modified within FL Studio to create a complex and immersive soundscape. Despite the unusual choice of 'g
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This audio recording, titled "August 28, 2016 Recording 04", is a fascinating auditory exploration, meticulously crafted with the assistance of FL Studio, a digital audio workstation. The audio is characterized by a steady rhythm of 90 beats per minute, providing a consistent backdrop for the multitude of sound elements that are introduced throughout the track. The audio begins with the distinct and recurring sound of what appears to be garbage being sifted or shuffled, adding an unusual yet intriguing texture to the composition. This is not your standard musical element, demonstrating the composer's creative use of unconventional sound sources. The 'garbage' sound is looped throughout the track, providing a gritty, industrial feel, and setting a unique tone for the audio piece. As the recording progresses, these initial sounds are layered with additional elements, each looped and modified within FL Studio to create a complex and immersive soundscape. Despite the unusual choice of 'g
