The audio starts with an abrupt burst of noise, a cacophony that is harsh to the ears. The sound of a horn blares in the foreground, a distorted honk that dominates the soundscape. That honk is not the soft toot of a car horn, but the raucous blare of a brass instrument, twisted and amplified into something bold and unapologetic. A squeal cuts through the noise, a high-pitched scream that sends a shiver down the spine. It's the sound of feedback, the screech of a microphone too close to a speaker, a sonic mishap turned into intentional sound design. The audio shifts and changes, the layers of sound morphing and merging together in a chaotic symphony. It's not a comfortable listen, but it's meant to be challenging, pushing the boundaries of what we consider to be music. At times, it seems to settle, only to be interrupted by another blast of the horn