Details
This audio recording, titled "Contact Microphone Recording from April 5, 1984", is a vivid sensory experience that transports you back in time through the world of sound. As soon as you press play, you're introduced to a variety of sound effects, or SFX, meticulously recorded with a contact microphone. The audio starts with a series of distinct tapping sounds, reminiscent of raindrops falling on a metal surface or someone typing on a vintage typewriter. These are followed by a series of scraping and sliding sounds, invoking the image of someone sliding a heavy object across a rough surface. There are also some unexpected foley sounds - those everyday sounds that are artificially created for usage in different forms of media. This includes the sound of crunching leaves underfoot, the rustling of fabric, and the creaking of an old door. You might also hear the distant echo of footsteps or the screech of a chair being dragged. Every sound is captured in high fidelity
Comment
This audio recording, titled "Contact Microphone Recording from April 5, 1984", is a vivid sensory experience that transports you back in time through the world of sound. As soon as you press play, you're introduced to a variety of sound effects, or SFX, meticulously recorded with a contact microphone. The audio starts with a series of distinct tapping sounds, reminiscent of raindrops falling on a metal surface or someone typing on a vintage typewriter. These are followed by a series of scraping and sliding sounds, invoking the image of someone sliding a heavy object across a rough surface. There are also some unexpected foley sounds - those everyday sounds that are artificially created for usage in different forms of media. This includes the sound of crunching leaves underfoot, the rustling of fabric, and the creaking of an old door. You might also hear the distant echo of footsteps or the screech of a chair being dragged. Every sound is captured in high fidelity
