Details
The audio begins with the soft hum of an elevator in motion, likely at the Kreutzwaldi location. It's 1:22 PM, suggesting a relatively quiet afternoon given the lack of human voices or other ambient noise. The elevator's mechanism produces a series of unique sound effects, a testament to its continuous operation. The sfx and foley techniques used create a realistic sonic environment, transporting the listener directly into the elevator's confined space. Suddenly, a new sound layers over the humming - a distinct creaking. It's the noise of wood; perhaps the elevator's interior has a wooden finish, or maybe there's a wooden object inside. The creaking wood gives the audio a rustic feel, contrasting with the modern technology of the elevator. It's an engaging blend of the old and the new. As the recording progresses, the wood's creaking becomes rhythmic, almost like a heartbeat, punctuating the elevator's constant hum. The audio, therefore, creates an
Comment
The audio begins with the soft hum of an elevator in motion, likely at the Kreutzwaldi location. It's 1:22 PM, suggesting a relatively quiet afternoon given the lack of human voices or other ambient noise. The elevator's mechanism produces a series of unique sound effects, a testament to its continuous operation. The sfx and foley techniques used create a realistic sonic environment, transporting the listener directly into the elevator's confined space. Suddenly, a new sound layers over the humming - a distinct creaking. It's the noise of wood; perhaps the elevator's interior has a wooden finish, or maybe there's a wooden object inside. The creaking wood gives the audio a rustic feel, contrasting with the modern technology of the elevator. It's an engaging blend of the old and the new. As the recording progresses, the wood's creaking becomes rhythmic, almost like a heartbeat, punctuating the elevator's constant hum. The audio, therefore, creates an
