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This audio, dated April 21, 2017, takes the listener on a unique auditory journey. It begins with a deep, resonating hum that seems to form the foundation of the soundscape. This hum is not static but evolves gradually over time, creating an almost drone-like undercurrent. As the piece progresses, the hum is joined by a layer of noise that brings to mind the rustling of leaves, or perhaps the distant rumbling of a cityscape. Soon, a new element is introduced: crackles that pop and sputter unpredictably, like a vintage vinyl record playing on an old turntable. These crackles are not abrasive, but instead, they add a layer of texture and complexity to the soundscape. They dance atop the drone and noise, sometimes aligning rhythmically and other times striking out on their own. The piece is produced using the Supercollider software, renowned for its ability to generate and manipulate complex sounds. The hum, noise, and
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This audio, dated April 21, 2017, takes the listener on a unique auditory journey. It begins with a deep, resonating hum that seems to form the foundation of the soundscape. This hum is not static but evolves gradually over time, creating an almost drone-like undercurrent. As the piece progresses, the hum is joined by a layer of noise that brings to mind the rustling of leaves, or perhaps the distant rumbling of a cityscape. Soon, a new element is introduced: crackles that pop and sputter unpredictably, like a vintage vinyl record playing on an old turntable. These crackles are not abrasive, but instead, they add a layer of texture and complexity to the soundscape. They dance atop the drone and noise, sometimes aligning rhythmically and other times striking out on their own. The piece is produced using the Supercollider software, renowned for its ability to generate and manipulate complex sounds. The hum, noise, and
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