carrie

In this section, the speaker discusses the movie "Carrie" and its connection to the counterculture movement. The film focuses on a teenage girl trying to understand herself and her sexuality in a judgmental environment. The dialogue in the film avoids directly addressing the topic of menstruation, portraying it as something odd and unnatural. The speaker explains that the author, Stephen King, integrated elements of the counterculture movement into his writing, emphasizing the importance of accepting and exploring the unknown. Connecting unfamiliar concepts to familiar ones allows for a better understanding and a fresh perspective. These next two sections, I will be talking about the paraphrase, observe, context and analyze portions of the CAD process for my creative works. In this section alone, I will be talking about Carrie and it's titled Connect Known to Unknown. For simplification, I will be referring to the movie by Brian De Palma, but to acknowledge it is also a written piece by Stephen King and is based on so. The film itself revolves around a young teenage girl in high school trying to understand herself and accept her own sexuality in an environment that batches her both in school and from home from her mother. Dialogue becomes heavy in this film. Instead of her ever referring to Carrie's period as what it is, as something that is natural, it is only ever alluded to and hinted to be something different, as something odd and unnatural. Carrie is best described as different and off-putting by her peers and from her mother. Note about her mother is that her mother is characterized as an extremely religious individual and this is related to how she refers to Carrie as a sinner with her sins. Carrie, the novel itself, was published by Stephen King back in 1974. Near the rise of multiple counterculture movements, counterculture movements, King himself recognized these movements and integrated them into his writing, mentioning that to succeed and do well as a writer, one is in a position where growth is necessary. This can then be connected to Carrie and its writing as one of the core values of the counterculture movement was acceptance and what is new and unknown. To some, it was making comparisons to the known and connecting it to the unknown. To utilize a woman's metropsycho-unnatural cycle, which many should already be informed about and would already know, to a different concept that is still natural, to accept by connecting it with the known. To connect something that is unknown to the known, it allows for the integration of something new and abstract to amass audience and to understand it better, to re-visualize it in a different perspective.