Details
The audio titled "Modular Space Noises from December 29, 1612" opens with a deep, otherworldly hum, reminiscent of the vast, emptiness of space. This hum is punctuated by a series of sci-fi inspired synth sounds, generated by a modular eurorack. The synth sounds have an analog quality to them, providing a contrast to the digital nature of space exploration. As the audio progresses, the synth sounds evolve and shift, creating a cinematic soundscape that's both eerie and captivating. The use of the ms-70cdr module adds further depth and complexity to the audio, with its numerous filters and effects. Throughout the audio, the modular nature of the eurorack becomes more apparent, as different synth sounds are layered and intertwined with each other, creating a rich tapestry of sound. The audio ends on a deep, resonating note, leaving the listener with a sense of the infinite vastness and mystery of space.
Comment
The audio titled "Modular Space Noises from December 29, 1612" opens with a deep, otherworldly hum, reminiscent of the vast, emptiness of space. This hum is punctuated by a series of sci-fi inspired synth sounds, generated by a modular eurorack. The synth sounds have an analog quality to them, providing a contrast to the digital nature of space exploration. As the audio progresses, the synth sounds evolve and shift, creating a cinematic soundscape that's both eerie and captivating. The use of the ms-70cdr module adds further depth and complexity to the audio, with its numerous filters and effects. Throughout the audio, the modular nature of the eurorack becomes more apparent, as different synth sounds are layered and intertwined with each other, creating a rich tapestry of sound. The audio ends on a deep, resonating note, leaving the listener with a sense of the infinite vastness and mystery of space.
